|
Past Tours |
||
| 2005 – Double Bill Tour | ||
|
DanceLive MusiciansPost show talk
|
|
|
|
“Brilliant, I really, really liked the piece. All the different aspects of the piece kept my attention and I was particularly drawn in by the beautiful imagery created through the relationship between lighting, sculptures and movement” 2003 Tour
|
|||
|
With an exciting collaboration between choreographers, a composer, a jazz guitarist and an artist/costume designer, FRONTLINEdance will create two new pieces of integrated dance work. This will create a wash of art, dance and music, all working in sync, making each element clearer and stronger to interpret and to be understood.
|
|
||
|
The
work will tour theatres and non-conventional theatre settings such as
church halls, community centres and galleries. Tour
dates will be added to this site throughout the year. As part of this tour we will contribute towards venues education and outreach policies, with dance workshops and collaborative dance and music workshops. At present we are in the process of fund raising for the tour, and even though some has already been confirmed we hope to hear by March 2005 of the success of the rest. |
|||
|
“I
want to see it all over again – NOW! Male,
28yrs, musician, Audience Feedback, 2004 tour
|
|
|
2003-2004 Double Bill Tour This double bill is a result of an exciting collaboration
between artistic director, guest choreographer, artist, composer, singer
and costume designer. Every Single Breath, Rachael
Lines
A trio set amongst sculptures and mirrors reflecting a more narrative and personal movement-vocabulary relating to the theme of inner personality. It recalls personal memories and displays how influential these experiences have been in determining who we are today. |
|
Beyond
Immediacy, Lorena Todino
A quartet that battles with the notion that dance is transient, acknowledging that it continues to exist beyond the immediate time frame in terms of visual memory. The movement explores imprinting and tracing of the body in time and space, leaving fragments for the audience to hold on to. The piece also plays with the embodiment of memory and the notion that scars are a bodily imprint of a physical memory. |
|
|
Venues Toured Laban Centre London, N-U-L
Borough Museum and Art Gallery,
Patrick
Centre, Birmingham (New Vibes Platform), Arena Theatre, Wolverhampton
(Potential Showcase) Stafford
Day Centre, Stafford Newstead
Day Centre, Stoke-on-Trent Shelton
Day Centre, Stoke-on-Trent St Johns Institute, Trent Vale, Stoke-on-Trent |
|
Supported by: |
|
|
|
|
|
|
|
|
|
2001-2002 ‘A Table
for one please!’
choreographed by Rachael Lines. The
initial intention for this work was to challenge and develop
FRONTLINEdance, and it’s members. The quartet explores new approaches
and delivery of choreography and is set to a mixture of music ranging
from Celtic Mystery to Chuck Brown and Eva Cassidy. Influenced by a loss of a friend, this work is sensitive, dynamic and accessible to all.
“The many themes were married together in a seamless flow of energy and innovative motion, the movements were masterly controlled, the mood irresistibly alluring. So good that I nearly fell of the edge off my seat; as for the audience, the enormous applause said it enough.” Rachel Tonkin, dance critic for RESOLUTION! 2002 The Place, London.
|
Venues TouredThe
Crescent Theatre Birmingham (Artsfest), Shugborough
Hall, Staffordshire, MET
Studio Stafford Gatehouse, The
Place London (Resolutions!) The
Patrick Centre Birmingham (Body as Image Showcase) Toured
to primary and special school’s throughout the West Midlands “Excellent
& Terrific. The movements were something I have never before seen, but will cherish forever…….Gob-smacked!” Audience Member at Artsfest 2001
|
|
|
2001
Double Bill Essence,
Choreographed
by Rachael Lines & Michael King Two
bodies, one mind. Together
yet apart. Dominated
and sublimated. A
curious journey through fun and excitement into anger and confusion.
Driven
by the musician, the two dancers are taken on an emotional
roller-coaster.
Impostor,
Choreographed
by Helen Parlor What
exactly goes through your mind? To what extent do you torture yourself
with insecurities? To what extreme do you question things you do or
relationships you are involved in? Impostor
explores how our minds jump from thought to thought, how we battle on
and camouflage our weaknesses in order to reach our next
hurdle…..looking at notions of resistance and acceptance. Impostor is
particular and personal. Venues TouredThe Stoke-on-Trent College, “International Women’s Day” Staffordshire University, & “The Open Dance Festival”, Alternative Arts, London |
All Photographs copyright of Mr Will & FRONTLINEdance